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The Brief History of the Dead

Audiobook
1 of 1 copy available
1 of 1 copy available
From Kevin Brockmeier, one of this generation's most inventive young writers, comes a striking new novel about death, life, and the mysterious place in between. The City is inhabited by those who have departed Earth but are still remembered by the living. They will reside in this afterlife until they are completely forgotten. But the City is shrinking, and the residents clearing out. Some of the holdouts, like Luka Sims, who produces the City's only newspaper, are wondering what exactly is going on. Others, like Coleman Kinzler, believe it is the beginning of the end. Meanwhile, Laura Byrd is trapped in an Antarctic research station, her supplies are running low, her radio finds only static, and the power is failing. With little choice, Laura sets out across the ice to look for help, but time is running out. Kevin Brockmeier alternates these two storylines to create a lyrical and haunting story about love, loss and the power of memory.
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    • AudioFile Magazine
      There are two worlds in this imaginative story. Narrator Richard Poe expertly portrays this action-adventure with a message, in which a viral infection threatens the world's population. Heroine Laura Byrd, caught in the blistering cold of Antarctica during a research mission, may be the only person who survives the pandemic. Her struggle against insurmountable odds is both pulse-pounding and heart-breaking. Most interesting is the world of the afterlife, where inhabitants live as long as they are remembered by someone here on Earth. The lyric description as rendered by Poe makes this a book more enjoyable to listen to than to read. R.O. (c) AudioFile 2006, Portland, Maine
    • Publisher's Weekly

      Starred review from December 19, 2005
      A deadly virus has spread rapidly across Earth, effectively cutting off wildlife specialist Laura Byrd at her crippled Antarctica research station from the rest of the world. Meanwhile, the planet's dead populate "the city," located on a surreal Earth-like alternate plane, but their afterlives depend on the memories of the living, such as Laura, back on home turf. Forced to cross the frozen tundra, Laura free-associates to keep herself alert; her random memories work to sustain a plethora of people in the city, including her best friend from childhood, a blind man she'd met in the street, her former journalism professor and her parents. Brockmeier (The Truth About Celia
      ) follows all of them with sympathy, from their initial, bewildered arrival in the city to their attempts to construct new lives. He meditates throughout on memory's power and resilience, and gives vivid shape to the city, a place where a giraffe's spots might detach and hover about a street conversation among denizens. He simultaneously keeps the stakes of Laura's struggle high: as she fights for survival, her parents find a second chance for love—but only if Laura can keep them afloat. Other subplots are equally convincing and reflect on relationships in a beautiful, delicate manner; the book seems to say that, in a way, the virus has already arrived.

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  • English

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